Exhibitions Floor Plan and Stand Design. Stands Plan Checks and Construction Guidelines. In order to regulate the compliance of temporary structures, the Centre has developed a risk profile for custom-built stand designs structures at exhibitions and events based on a four- tier risk assessment and compliance as per table below Information for Planners. Event Guidelines. Getting to the Centre. Kuala Lumpur City Centre Precinct. Kuala Lumpur. Signature Experiences. Sundown Hour.
Examples of common risks associated with the exhibition area are as follows:- Multiple contractors working in a single workplace. Falls from working at heights and working on a live edge. Structural collapse of an exhibition stand. Objects falling from height. Excessive working hours. Injury from use of work equipment.
Slip, trips and falls on a level surface. Department not less than fourteen 14 days prior to the commencement of the Event.
A brief description of the event, including products exhibited, equipment utilised, and demonstrations and activities, must accompany your floor plan. Floor Plan Requirements All floor plans must be drawn to scale 1 : and have the following information clearly on the plan: Floor plan developer and date of initial drawing and the date s of any type of revision.
Show name, name of the organisation, dates of the event and the name of the exhibition contractor. All exits must be clearly indicated and labeled on CAD shells. Primary entrance doors and emergency exits must be identified. Aisle width between booths shall be a minimum of 2. Stand layout must provide for access to the service pits for connection to all services required.
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Nothing must be built within areas marked on floor plans as No-Build Zones. All points of entrance and egress should have a minimum of 5 metres in width x 10 metres in length of clear space. There must be an unobstructed set back of 0. Should there be a Cafe in operation in each Hall during the event, a space directly in front the designated Cafe must be left clear of any booths or displays. This clearance must be maintained at all times and be made available to allow free flow of pedestrians and visiting patrons to the Cafe.
All temporary food service area sstage and seminar room seating arrangements must be clearly marked. A copy of the approval or permit letter from BOMBA must be submitted to the Centre no later than seven 7 days prior to the Event move-in. Emergency Access and Clearance No stand or display is to block an aisle or emergency exit or fire services.
Exhibition material must not obstruct emergency exits.To browse Academia. Skip to main content. Log In Sign Up. Muath Humaid. Humaid Muath. Easily identifiable entrance and exit, and clear external signage,which may need to be illuminated. Level ground floor with loading docks of sufficient size for all servicesincluding client vehicles. Large coach drop off and collection points adjacent to main entrance,with sufficient turning space and height, accessible under cover.
Floor loadings to permit truck access 7. Easily identifiable and weather protected entrance and reception areafor attendees. Clearly identified disabled access. In larger venues, security systems and monitoring at loading docks. Separate entry for venue staff. Recording and coding of all deliveries. In larger venues, loading dock staffed at nominated times, and a security management and monitoring system in place.
Area to be clean, well lit and secure with plenty of trolleys for client use. Provision of Concierge and porterage services, which include provision for receipt of urgent courier deliveries to front of house rather than loading docks.
Security arrangements for VIPs. Signage for dedicated service access routes. Ready access for the PCO to storage areas.
Parking for trucks with sufficient height and turning space where staging, audio visual or other equipment needs to be packed in or out within a short time period. Coach parking bays off street.
Sufficient undercover parking for attendees. All parking, including venue staff parking, should be secure. Disabled spaces. Direct access to venue lobby. Clear directions for exiting car park. Sufficient cashier stations everyone likely to leave at once. Sufficient exits to street, with adequate queuing lanes. A percentage of parking dedicated to meeting attendees, provided free or at preferential rates.
Clearly displayed height dimensions and hours of operation inparking facilities.New York architecture firm SO-IL has designed an exhibition to present a Japanese handicraft that uses remnants of hemp fabric. A curving metal streamer, mirrored room screen and bulbous fibre chandelier are among the objects in an exhibition hosted by travelling gallery Masa in Mexico City. Here are eight highlights including vases sculpted from PVC pipes.
This exhibition of works by architects and artists installed at Rudolph Schindler's house in West Hollywood, California takes the fraught relationship between the architect and his wife as its theme.
A chair made from loaves of bread and a toilet-cum-sink are among the objects on display in an exhibition at Friedman Benda that aims to find a "new form of pleasure" in furniture.
Category: Exhibition Hall
San Francisco's Carpenters Workshop Gallery is staging an exhibition of works by Studio Drift that aim to showcase the "intersection of nature and technology". Furniture by designers including Joyce Wang and Mario Tsai is on show at this Shanghai exhibition organised by contemporary art and design platform The Artling.
Artist and designer Nathalie Du Pasquier has translated her fascination with bricks into a site-specific exhibition comprising seven totem-like sculptures made from stacked bricks glazed in bright colours.
The work of Mexican architect Tatiana Bilbao is on show at the Louisiana Museum in Denmark, in an exhibition that includes an imaginary city, a cabinet of curiosities and four full-size architectural mockups.
Lina Bo Bardi 's famous glass easels and a s expo pavilion by Aldo van Eyck have both been reconstructed in Lisbonfor the exhibition Art on Display at the Calouste Gulbenkian Museum. Artist and architect Lauren Henkin has created a series of sculptures to fill "unintended" installation spaces in the Contemporary Arts Center in Cincinnati, Ohio designed by late architect Zaha Hadid.
More A curving metal streamer, mirrored room screen and bulbous fibre chandelier are among the objects in an exhibition hosted by travelling gallery Masa in Mexico City.Since humanity started gathering to tell stories and represent scenes from everyday life in front of an audience, the need for a space to perform such activities began to increase. Theater design developed from the open-air amphitheaters of the Greeks and Romans to the incredible array of forms we see today.
Though some forms work better for particular types of performance, there is no ideal shape or size of a theater. The choice of the best form and scale depends on the functional purpose movies, lectures, stage performances, musical presentationsthe size of the staging required and the number of the audience to be accommodated.
The house can also refer to an area that is not considered playing space or backstage area. This includes the lobby, coat check, ticket counters, and restroom. The amount of space required for each auditorium depends on a number of factors but the following guides, based on modern seating design can give you an idea of the area needed:. The aisle is the space for walking with rows of seats on both sides or with rows of seats on one side and a wall on the other.ABB - Interactive Exhibition Hall
In order to improve safety when the theaters are darkened during the performance, the edges of the aisles are marked with a row of small lights. There are usually two types of aisle arrangements:. It consists of chairs per row with access to an aisle way at both ends. If the aisle can only be reached from one end of a row, the seat count may then be limited to 7 or 8.
If planned carefully, the continental aisle arrangement can accommodate more seating within the same space. Usually, it requires an average of 7,5 square feet 2,3 square meters per person including the seating area and the space for aisle-ways. The stage is the designated space where actors and other artists perform and the focal point for the audience.
As an architectural feature, the stage may consist of a platform often raised or series of platforms. In some cases, these may be temporary or adjustable but in theaters and other buildings devoted to such productions, the stage is often a permanent feature. There are several types of stages that vary as to the usage and the relation of the audience to them:. A Stage surrounded by audience on three sides. The Fourth side serves as the background.
In a typical modern arrangement: the stage is often a square or rectangular playing area, usually raised, surrounded by raked seating. End Stage: A Thrust stage extended wall to wall, like a thrust stage with audience on just one side, i. There is no real wingspace to the sides, although there may be entrances located there.
An example of a modern end stage is a music hall, where the background walls surround the playing space on three sides. Like a thrust stage, scenery serves primarily as background, rather than surrounding the acting space. Arena Theatre: A central stage surrounded by audience on all sides. The stage area is often raised to improve sightlines.
The Proscenium Stage or End Stage It is the most common type of stage and it is also called a picture frame stage. Its primary feature is a large opening, the proscenium arch through which the audience views the performance. The audience directly faces the stage and views only one side of the scene. Often, a stage may extend in front of the proscenium arch which offers additional playing area to the actors.
This area is referred to as the apron. Underneath and in front of the apron is sometimes an orchestra pit which is used by musicians during musicals and operas. Stage and seating not fixed. Instead, each can be altered to suit the needs of the play or the whim of the director.Exhibitions Floor Plan and Stand Design.
Stands Plan Checks and Construction Guidelines.
In order to regulate the compliance of temporary structures, the Centre has developed a risk profile for custom-built stand designs structures at exhibitions and events based on a four- tier risk assessment and compliance as per table below Attentive and professional staff able to accommodate last minute requests. Keep up the good work! Information for Planners. Event Guidelines. Getting to the Centre. Kuala Lumpur City Centre Precinct. Kuala Lumpur.
Signature Experiences. Sundown Hour. Examples of common risks associated with the exhibition area are as follows:- Multiple contractors working in a single workplace. Falls from working at heights and working on a live edge.
Structural collapse of an exhibition stand. Objects falling from height. Excessive working hours. Injury from use of work equipment. Slip, trips and falls on a level surface. Department not less than fourteen 14 days prior to the commencement of the Event.
A brief description of the event, including products exhibited, equipment utilised, and demonstrations and activities, must accompany your floor plan. Floor Plan Requirements All floor plans must be drawn to scale 1 : and have the following information clearly on the plan: Floor plan developer and date of initial drawing and the date s of any type of revision. Show name, name of the organisation, dates of the event and the name of the exhibition contractor.
All exits must be clearly indicated and labeled on CAD shells.
Primary entrance doors and emergency exits must be identified. Aisle width between booths shall be a minimum of 2. Stand layout must provide for access to the service pits for connection to all services required. Nothing must be built within areas marked on floor plans as No-Build Zones. All points of entrance and egress should have a minimum of 5 metres in width x 10 metres in length of clear space.
There must be an unobstructed set back of 0. Should there be a Cafe in operation in each Hall during the event, a space directly in front the designated Cafe must be left clear of any booths or displays.Located near the downtown of Sherbrooke, the Exhibition Center serves as a gathering place and a unique representation in the region.
The project's main objective is to create divisible exhibition areas if needed for dedicated events for the wide public. The program includes the creation of exhibition halls, meeting rooms, offices, central hall, cloakroom, ticket office, restaurant and other technical spaces. The total project area is approximately 9, square meters.
The main exhibition hall of 5, square meters, designed according to the highest standards in terms of functionality and specialized equipments, can be divided into three exhibition spaces when various events take place simultaneously. On both sides of the exhibition spaces, the related services are stated. On one side, the technical spaces contain the loading areas, storage areas and recycling areas.
While on the other side, public spaces include the lobby, cloakroom, ticket office, services, restaurant and. Upon arrival on the site, the visitor sees a large glass wall that shows partially the internal activity of the exhibition center. The main hall contains the essential services and allows visitors to walk through a space flooded by natural light. The pixels pattern on the glass surface created by a semi-transparent film adds a light veil on the indoor activities taking place in the hall and adds a subtle texture to the glass wall.
From the outside, the angular shape rises and highlights the main entrance. Sculpted and defined as a break of the glass block, the main entrance is the key element of the project and marks the transition between the exterior and the interior environment. The use of bright yellow color shows the internal activity of the exhibition center. This color sequence animates the facades as if the internal boiling energy was breaking up partly and shows the festive character of the place.
The Theme Pavilion is located on the edge of the lake as the endpoint to the central axis that starts with the Guangyun Entrance, as well as the starting point for the crossing of the water by boat.
It ties in with the series of piers that read as the landscape jetting out into the water. The built volume is interwoven with the articulated ground, producing continuities on many levels so that landscape and building become completely integrated.
From this stems the organization of the building massing as three parallel volumes within the landscape, flowing through and underneath, leading to the piers. The volumes themselves hover as cantilevers over the lake. The fluid experience of passing through the landscape continues inside, where all zones are generous and interconnected.
The employment of ramps enable visitors to move up to a mezzanine level and out onto the roof of the building.
Through its materiality the building again manifests itself as an extension of the ground with its floors and interior walls made from concrete. Bronze, as a locally specific material, wraps the buildings partially while bands of greenery cover it like a tessellated net. The proposal incorporates the diversity of landscapes generated by water in Aragon inside a basket, using devices that condense and solve the structural requirements and functional needs of the building, offering a tour of its various types of landscape — social, cultural, natural, economic, etc.
The project proposes a building erected on three structural and communication centers, which, in the manner of "technological legs", enable the space on the ground floor to be liberated to create a type of square built on stilts, offering the Expo site a free space at the level of its main walkway. Four levels have been erected above this plaza. Initially only two have been built, with a further two to be erected for subsequent use as a department of the regional Government of Aragon.
The external closure of the building is designed as a continuous woven texture created by interrupted lines, formed by sheets of glass or prefabricated fair-faced micro concrete panels, reinforced with fiberglass G. The outer shell is more opaque at the lower levels, being more transparent further towards the top level, configured as a terrace facing the city and the site of the Expo, providing visual clarity, which is fundamental to be able to learn from the landscapes and urban silhouettes of the city and the river.
The expansion consists of 5 levels that enable a connection to be made over the South Brisbane rail corridor into the upper level of the original building which was substantially modified in the process. The main challenge of the design was, however, to satisfy a brief for two new auditoria, a ballroom and various meeting rooms on a strip of land 30 meters in width and some meters long. It was largely resolved by stacking the two auditoria so that they are accessible from each of the four upper levels, with street edge circulation corridors providing access to the meeting rooms and ballroom spaces.
A full height atrium intervenes between these zones, lit from above. The main enjoyment in designing the expansion was in how architecture can animate the street experience over such a distance. The narrow site width was somewhat relieved by an allowance to cantilever above part of the footpath, so that the architectural solution entailed structural complexity in designing it to vary along the length.Add your company to this list and reach thousands event organizers.
That's even possible for free! AED Studios offers all the amenities to entertain your guests in the most complete media center in Europe. Centrally located in a quiet and green setting, you will be entertaining your guests in a professional environment.
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Handelsbeurs Concertzaal. SRS Group. Exhibition Hall Are you looking for ' Exhibition Hall '? Add company. Kitts St. Lucia St. Pierre et Miquelon St. Accessibility car public transport parking - paid parking - free.
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